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| Jay Beckenstein |
I was born May 14, 1951 in Brooklyn, NY and grew up surrounded by music.
My mother was an opera singer and my father's love of jazz introduced me
to Charlie Parker and Lester Young before I could speak. I started piano
at the age of five when my family moved to Farmingdale, LI. I was given
my first saxophone through the music program in elementary school at age
seven.
From there I took saxophone lessons, and played in school bands up to my
senior year of high school. At that point I met Jeremy Wall and we
started my first band. My senior year of high school was spent in
Nurnberg, Germany where my father was working and I went to school on a
U.S. Army Base. I played in R&B bands there that performed both for the
Army and in German clubs. By then, I had been introduced to a lot of R&B
and rock and started to mix those concepts together with my jazz base.
I returned to the States and enrolled at State University of New York at
Buffalo. I studied a good deal of classical and avant garde music in the
music program there and played in some interesting avant garde
ensembles. I studied saxophone in school with Edward Yadzinski, but I
also studied outside with John Sadola who worked on my jazz technique.
By my junior year in college, I had started working in the clubs in
Buffalo and by the time I graduated I had steady work in the clubs. The
next few years was spent playing in some great blues and R&B bands.
Buffalo had a booming music scene at the time, but after awhile I wanted
to do something other than be a sideman. I then started doing some off
night instrumental sessions in small clubs with Jeremy Wall. This work
slowly (over a year) evolved into the band Spyro Gyra. In the band's
second year, Tom Schuman joined the band and started to share the
keyboards with Jeremy. Tom has been the sole keyboardist since 1978.
Around 1976, I went into business with Rich Calandra, a local drummer who
had aspirations to be a record producer. The two of us produced a number
of local acts and, when there was studio time left over, we would record
Spyro Gyra. The band's first album slowly came together in this way.
Rich and I met with little successwith our efforts with other groups, so
we pressed 500 LP's of Spyro Gyra on our own label with what little money
we had left,. Within a year we had sold tens of thousands of records,
signed a record deal and launched the band's career. In 1979, I moved to
NYC to produce Morning Dance and lived there for four years. Catching
the Sun, Carnaval and Freetime were also recorded during this time. My
life was consumed with touring around the world, recording and writing.
Rich and I then purchased a turn-of-the-century stone farmhouse just
outside of NYC and converted it into my own recording studio, BearTracks.
This has provided Spyro Gyra with a great recording environment. Though I
occasionally have recorded on records other than Spyro Gyra and have done
other productions, (Dave Samuels and Tom Schuman), Spyro Gyra has been my
main focus and has fulfilled most of my musical dreams. It has been over
twenty-five years of great music, great friendship and great times.
The rest of my life is filled with my love for painting, gardening,
hiking and all things outdoors but most of all with my daughters Claire,
Alexandra and Isabel. They, more than anyone or anything else, have
brought me inspiration and contentedness.
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